
Biennale of Performance Art:
Feeling Tenderness
With the generous support from:



OCTOBER 16-20 2025
Vancouver BC
The City of Vancouver acknowledges that it is situated on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.
Performances & Artists
Unheld II
Kimia Koochakzadeh-Yazdi & Saghi Ehteshamzadeh
Experimental audio-visual || Immersive Performance
My Twilight
Evening Event & Celebration || Immersive Performance
Tidal Locking
Durational Performance || Artist Talk
Dreaming the Asklepion
Zoë Kreye, Lisa Prentice & Alexa Solveig Mardon
Immersive Guided Performance Sessions || Durational Live Performance




Directorial Statement
What LIVE Biennale has captured in live performance art in the last few years is the fullness of a complete sensorial experience – motivated by our desires for feeling, sensing and community.
Feeling Tenderness as the title of LIVE Biennale 2025 encompasses two meanings:
To make affective change is to shift or alter the environment of our emotional state, feelings, or sentiments is a response to both definitions of tenderness. Feeling itself is affective, which is why tenderness is 1.
An awareness of our anxiety, a product of what theorist Ann Cvetovich calls “public feelings” – which are related not only to health but to an “embodiment of what it means to be human¹” and 2.
The desire to change our relationships with the social, environmental and familial. This sense of equilibrium between balancing our own internal rhythms with the world around us is central to many of the performances and activations for LIVE Biennale 2025.

Derrick Chang, Managing Director
1Ann Cvetovich, Depression: A Public Feeling (Durham: Duke University Press, 2012).
LIVE 2025: Feeling Tenderness
Designed by Gabriela R