{"id":667,"date":"2021-11-03T23:03:21","date_gmt":"2021-11-03T23:03:21","guid":{"rendered":"https:\/\/livebiennale.ca\/2021\/?page_id=667"},"modified":"2021-11-04T19:28:20","modified_gmt":"2021-11-04T19:28:20","slug":"annotating-the-archives","status":"publish","type":"page","link":"https:\/\/livebiennale.ca\/2021\/annotating-the-archives\/","title":{"rendered":"Annotating the Archives"},"content":{"rendered":"<section class=\"l-section wpb_row height_large with_shape\"><div class=\"l-section-shape type_tilt pos_bottom\" style=\"height:7vh;color:#c17739\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 7.9 L64 10 L0 10 L0 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Annotating the Archives<\/h2>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_large with_shape\"><div class=\"l-section-shape type_tilt pos_top hor_flip\" style=\"height:7vh;color:#c17739\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 7.9 L64 10 L0 10 L0 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_tilt pos_bottom hor_flip\" style=\"height:7vh;color:#cb5c55\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 7.9 L64 10 L0 10 L0 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>\u2014 in conversation with Margaret Dragu and Paul Couillard<\/h3>\n<figure><iframe loading=\"lazy\" title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/640209833?h=7aac7c9020\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption>Video curated and edited by Yasmine Whaley-Kalaora.Archival footage taken by Elisha Burrows.<\/figcaption><\/figure>\n<\/div><\/div><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"w48d\"><button aria-controls=\"content-w48d\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Biographical Information<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-w48d\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h4 class=\"p1\"><span class=\"s2\"><b>Margaret Dragu<\/b><\/span><\/h4>\n<p class=\"p1\"><span class=\"s2\">Margaret works in video, installation, web\/analogue publication &amp; performance. Spanning relational, durational, interventionist and community-based practices, she has shown in Canada, USA &amp; Europe. Dragu is celebrating her 50th year as working artist.Her favourite art-making material is still the body despite or because of her bionic status as a grateful owner of two recent hip replacements. She is a BCRPA Advanced Group Fitness &amp; Yoga Instructor as well as Personal Trainer. She has 40+ years experience working with beginners, athletes, dancers, seniors and, is a Clinical Exercise &amp; Post-Rehabilitation specialist. Margaret was the recipient of the Governor General\u2019s Award for Visual and Media Arts in 2012, \u00c9minence Grise (2012) for 7a*11d, and, in 2000, first artist in FADO\u2019s publication series Canadian Performance Art Legends.<\/span><\/p>\n<h4 class=\"p1\"><span class=\"s2\"><b>Paul Couillard<\/b><\/span><\/h4>\n<p class=\"p1\"><span class=\"s2\">Paul Couillard has been working as a queer artist, curator, and performance art scholar since 1985. He has created well over 300 performance works in 26 countries, often with his husband and collaborator, Ed Johnson. Paul was the Performance Art Curator for FADO from 1993 until 2007, and is a founding co-curator of the 7a*11d International Festival of Performance Art. His main areas of interest include site-responsiveness, building community, and addressing trauma through explorations of our bodies as shared vessels of sensation, experience, knowledge and spirit. He is the editor of the monograph series Canadian Performance Art Legends, and has been a lecturer at McMaster University and the University of Toronto Scarborough. He recently completed a doctorate through the York Graduate Program in Communication and Culture. His dissertation Rethinking Presence with a Thinking Body: Intra-active Relationality and Animate Form offers a meditation on presence from the perspective of a thinking body, integrating insights from continental philosophy, popular neuroscience, and interactive performance art practices.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"ca94\"><button aria-controls=\"content-ca94\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Reference Links<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-ca94\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li class=\"p1\">\n<p class=\"p1\"><a href=\"https:\/\/bchdp.arcabc.ca\/islandora\/object\/grunt%3A102\"><span class=\"s1\">Margaret Dragu\u2019s 1999 performance for the LIVE at the End of the Century cabaret<\/span><\/a><\/p>\n<\/li>\n<li class=\"p1\">Rebecca Belmore\u2019s <a href=\"http:\/\/www.performanceart.ca\/index.php?m=program&amp;id=90\"><i>Manifesto <\/i><\/a>(1999) which Paul is Referencing in his work <i>Silence Number 8: Plumb-Lines with Thanks to Rebecca Belmore<\/i><\/li>\n<li><a href=\"https:\/\/agyu.art\/project\/archival-alchemy\/\">Joyce LeeAnn\u2019s Archival Alchemy talk<\/a> which Margret loves<\/li>\n<li>Naufus Ramirez-Figueroa, Paul Coulliard, Roco Trigueros and Francisco-Fernando Granados, <a href=\"https:\/\/www.youtube.com\/watch?v=t4yqNt_kNYs&amp;ab_channel=livebiennalevideo\"><i>Body Plural <\/i><\/a>(aka the \u201csauna piece\u201d) 2009:\u00a0<\/li>\n<li>Additional footage from <a href=\"https:\/\/youtube.com\/playlist?list=PL6oJdf_wMSP6btK824YX3otR2ynx8CzhD\">LIVE 2009<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_large with_shape\"><div class=\"l-section-shape type_tilt pos_top\" style=\"height:7vh;color:#cb5c55\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 7.9 L64 10 L0 10 L0 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_triangle-2-inv pos_bottom\" style=\"height:9vh;color:#88b3d7\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 9 L0 9 L0 7.9 L48 0 L64 7.9 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>\u2014 in conversation with Rachel White and Fausto Grossi<\/h3>\n<figure><iframe loading=\"lazy\" title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/641712619?h=7aac7c9020\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption>Video curated and edited by Yasmine Whaley-Kalaora. Archival footage taken by Sebnem Ozpeta.<\/figcaption><\/figure>\n<\/div><\/div><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"hc17\"><button aria-controls=\"content-hc17\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Biographical Information<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-hc17\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h4 class=\"p2\"><span class=\"s1\"><b>Rachel White<\/b><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-700 size-medium\" src=\"http:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/IMG_1459-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/IMG_1459-225x300.jpeg 225w, https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/IMG_1459-768x1024.jpeg 768w, https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/IMG_1459-1152x1536.jpeg 1152w, https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/IMG_1459-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/>Rachel White is an artist based in Vancouver, BC, the unceded traditional territory of the Indigenous Peoples of the x<span class=\"s3\">\u02b7<\/span><span class=\"s2\">m<\/span><span class=\"s3\">\u0259<\/span><span class=\"s2\">\u03b8k<\/span><span class=\"s3\">\u02b7\u0259y\u0313\u0259<\/span><span class=\"s2\">m (Musqueam), Skwxw\u00fa7mesh (Squamish), and s<\/span><span class=\"s3\">\u0259l\u0313<\/span><span class=\"s2\">ilw<\/span><span class=\"s3\">\u0259<\/span><span class=\"s2\">ta<\/span><span class=\"s4\">\u0241<\/span><span class=\"s3\">\u026c<\/span><span class=\"s2\">\u00a0(Tsleil-Waututh) Nations. Informed by an interest in polyvagal theory, Rachel\u2019s art practice seeks to activate the theoretical \u201csocial engagement system\u201d within herself and others, providing reprieve for systems overfamiliar with long-term trauma responses: fight, flight, and freeze. Committed to her focus on co-regulation, collaboration, and sustainable communities, Rachel makes works of art with fellow NSCAD University graduates Dylan McHugh, Ian Prentice, and Leisha O\u2019Donohue under the name DRIL Art Collective. In seeking contact with sundry nervous systems in a few alternate places, Rachel has also invested time working behind an espresso bar, dancing out late at underground music events, and gently parenting her pandemic-era toddler in and around their home in North Burnaby.<\/span><\/p>\n<h4 class=\"p2\"><span class=\"s1\"><b>Fausto Grossi<\/b><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-702 size-medium\" src=\"http:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/Fausto-Grossi-photo-David-Hornback-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" srcset=\"https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/Fausto-Grossi-photo-David-Hornback-216x300.jpg 216w, https:\/\/livebiennale.ca\/2021\/wp-content\/uploads\/sites\/5\/2021\/11\/Fausto-Grossi-photo-David-Hornback.jpg 555w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/> Fausto Grossi was born in Italy in 1954. He grew up around magazines, newspapers, comics in the family newsstand, in Arce, a village in the countryside of Ciociaria between Rome and Naples. This aroused his curiosity in the necessity to learn, and live a full and passionate life.<\/p>\n<p class=\"p2\"><span class=\"s1\">He traveled, and is still traveling, to discover the essence of life through human relationships; to get to know others and know himself through them. He lives a life in which art occupies a decisive place; where it\u2019s failure means learning. Since 1992, Fausto has lived in Bilbao with his whole family. There he works as &#8220;pizzaiolo&#8221; and &#8220;pastaio&#8221; in his family shop, Pasta y Pizza Grossi, which shares a place with Spazio Grossi. Pasta and Pizza Grossi with Spazio Grossi is a place of gathering devoted to art and culture, including collaborations with ex!poes\u00eda (triennial of experimental poetry of Basque Country) and M.E.M. Festival.<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>Fausto\u2019s art practice includes cooking, sharing and making evident things of daily life that normally go unnoticed. Art for him is like breathing, it is something natural, something he needs to live, to feel alive and to be what he is: a human being.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"a13d\"><button aria-controls=\"content-a13d\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Reference Links<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-a13d\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li class=\"li2\"><span class=\"s1\">Fausto Grossi in\u00a0<i><a href=\"https:\/\/www.eitb.eus\/es\/television\/programas\/secret-chef\/videos\/detalle\/3009688\/video-el-chef-fausto-grossi-prepara-su-sopa-pescado\/\">Secret Chef<\/a>\u00a0<\/i>on ETB-2<\/span><\/li>\n<li class=\"li2\"><span class=\"s1\">Additional <a href=\"https:\/\/youtube.com\/playlist?list=PL6oJdf_wMSP7Gn3xPhhAuEN2YpVvD19eU\">footage from LIVE 2015<\/a><\/span><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_large with_shape\"><div class=\"l-section-shape type_triangle-2 pos_top\" style=\"height:9vh;color:#88b3d7\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L48 7.9 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols via_grid cols_1 laptops-cols_inherit tablets-cols_inherit mobiles-cols_1 valign_top type_default\"><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>\u2014 in conversation with Daina Warren and Peter Morin<\/h3>\n<figure><iframe loading=\"lazy\" title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/641289060\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><figcaption>Video curated and edited by Yasmine Whaley-Kalaora. Archival footage taken by Elisha Burrows.<\/figcaption><\/figure>\n<\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"ie1d\"><button aria-controls=\"content-ie1d\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Biographical Information<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-ie1d\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h4 class=\"p2\"><span class=\"s1\"><b>Peter Morin<\/b><\/span><\/h4>\n<p class=\"p2\"><span class=\"s1\">Peter Morin is a grandson of Tahltan Ancestor Artists. Morin\u2019s artistic offerings can be organized around four themes: articulating Land\/Knowing, articulating Indigenous Grief\/Loss, articulating Community Knowing, and understanding the Creative Agency\/Power of the Indigenous body. The work takes place in galleries, in community, in collaboration, and on the land. All of the work is informed by dreams, Ancestors, Family members, and performance art as a research methodology. Morin began art school in 1997, completing his Bachelor of Fine Arts at Emily Carr Institute of Art and Design in Vancouver in 2001 and his Masters in Fine Arts in 2010 at the University of British Columbia-Okanagan. Initially trained in lithography, Morin\u2019s artistic practice moves from printmaking to poetry to installation to performance art. Morin\u2019s first performance \u2018I grieve too much\u2019 took place at the Museum of Anthropology in 2005. Peter is the son of Janelle Morin (Crow Clan, Tahltan Nation) and Pierre Morin (Quebecois). Throughout his exhibition and making history, Morin has focused upon his matrilineal inheritances in homage to the matriarchal structuring of the Tahltan Nation, and prioritizes Cross-Ancestral collaborations. Morin was longlisted for the Brink and Sobey Awards, in 2013 and 2014, respectively. In 2016, Morin received the Hnatyshyn Foundation Award for Outstanding Achievement by a Canadian Mid-Career Artist. Morin currently holds a tenured appointment in the Faculty of Arts at the Ontario College of Art and Design University in Toronto, and is the Graduate Program Director of the Interdisciplinary Master\u2019s in Art, Media and Design program at OCADU.<\/span><\/p>\n<h4 class=\"p2\"><span class=\"s1\"><b>Daina Warren<\/b><\/span><\/h4>\n<p class=\"p2\"><span class=\"s1\">Daina Warren is from the Akamihk (Cree) Nation in Maskwacis (Bear Hills), AB. She was awarded two Canada Council\u2019s Aboriginal Curatorial Residencies the first to work with grunt gallery, Vancouver BC (2000-2001) and a second residency at the National Gallery of Canada in Ottawa, Ontario (2010-2011). She has a BFA from the Emily Carr University of Art and Design (2003) and an MA from UBC (2012). Warren was awarded the 2015 Emily Award from Emily Carr University and was selected as one of six Indigenous women curators as part of the Canada Council for the Arts Delegation to participate in the International First Nations Curators Exchange that took place in Australia (2015), New Zealand (2016), and Canada (2017). Her most recent accomplishment was winning the Hnatyshyn Foundation Award for Curatorial Excellency in 2018. She is currently the Director of Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs style_default switch_click accordion has_scrolling\"><div class=\"w-tabs-sections\"><div class=\"w-tabs-sections-h\"><div class=\"w-tabs-section\" id=\"j2ba\"><button aria-controls=\"content-j2ba\" class=\"w-tabs-section-header align_none icon_chevron cpos_right\" style=\"font-size:inherit\"><div class=\"w-tabs-section-title\">Reference Links<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div class=\"w-tabs-section-content\" id=\"content-j2ba\" aria-expanded=\"false\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><ul>\n<li class=\"p2\"><span class=\"s1\">Documentation of piece of Peter Morin\u2019s <a href=\"https:\/\/youtu.be\/uMbO9d7EoJY\"><i>In Order to Contemplate the Making\u00a0<\/i>(2009)<\/a><\/span><\/li>\n<li class=\"p2\"><span class=\"s1\"><a href=\"https:\/\/bchdp.arcabc.ca\/islandora\/object\/grunt%3A88\">John Boehme\u2019s 1999 LIVE at the End of the Century Cabaret Performance<\/a><\/span><\/li>\n<li class=\"p3\"><span class=\"s5\">grunt gallery\u2019s INDIANacts: <a href=\"https:\/\/indianacts.gruntarchives.org\/index.html\"><span class=\"s4\">https:\/\/indianacts.gruntarchives.org\/index.html<\/span><\/a><\/span><\/li>\n<li class=\"p3\"><span class=\"s5\">Peter Morin\u2019s <a href=\"https:\/\/lumbr.wordpress.com\/2010\/05\/02\/peter-morin12-making-objects-12-indigenous-interventions-a-k-a-first-nations-dada\/\">\u201c12 Making Objects: 12 Indigenous interventions a.k.a First Nation\u2019s DADA\u201d<\/a><\/span><\/li>\n<li class=\"p3\"><span class=\"s5\">Additional footage from <a href=\"https:\/\/youtube.com\/playlist?list=PL6oJdf_wMSP6btK824YX3otR2ynx8CzhD\">LIVE 2009<\/a><\/span><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-667","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/pages\/667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/comments?post=667"}],"version-history":[{"count":59,"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/pages\/667\/revisions"}],"predecessor-version":[{"id":745,"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/pages\/667\/revisions\/745"}],"wp:attachment":[{"href":"https:\/\/livebiennale.ca\/2021\/wp-json\/wp\/v2\/media?parent=667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}