{"id":751,"date":"2019-10-04T07:07:24","date_gmt":"2019-10-04T16:07:24","guid":{"rendered":"http:\/\/livebiennale.ca\/2019\/?p=751"},"modified":"2019-10-04T09:41:09","modified_gmt":"2019-10-04T18:41:09","slug":"oct-2-highlights-tari-ito-live-2019","status":"publish","type":"post","link":"https:\/\/livebiennale.ca\/2019\/oct-2-highlights-tari-ito-live-2019\/","title":{"rendered":"Oct 2 highlights: Tari Ito &#8211; LIVE 2019"},"content":{"rendered":"<h3>Tari Ito&#8217;s Before the 37 Trillion Pieces Get to Sleep<\/h3>\n<p>In 1990, the activist and performance artist who was part of an important feminist movement in Tokyo, Japan \u2014 <strong>Tari Ito<\/strong> \u2014  performed <a href=\"https:\/\/front.bc.ca\/events\/gorin-no-sho-the-memory-of-the-epidermis\/\"><em>The Memory of the Epidermis<\/em> at Western Front<\/a> in Vancouver as part of a nine-city Canadian tour. Nearly 30 years later, Tari Ito returned to Western Front on October 2, 2019 with her new piece, <em>Before the 37 Trillion Pieces Get to Sleep<\/em>.<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/B3I7NoBhFwW\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"12\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n<div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/B3I7NoBhFwW\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <\/p>\n<div style=\" display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<p><\/a> <\/p>\n<p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https:\/\/www.instagram.com\/p\/B3I7NoBhFwW\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Ito Tari is live in #Vancouver now. Live at @western_front #livebiennale<\/a><\/p>\n<p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by <a href=\"https:\/\/www.instagram.com\/livebiennaleperformance\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\"> LIVE Biennale<\/a> (@livebiennaleperformance) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2019-10-03T02:34:15+00:00\">Oct 2, 2019 at 7:34pm PDT<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p>Unfortunately, perhaps poignantly, the 37 trillion pieces and more may never rest for Tari Ito. Hands shaking, voice cracking, the artist projects a slideshow of photos and a video of her visit to an elementary school in Fukushima, the location of one of the world\u2019s most devastating nuclear disasters. When the slides finish, the projector is left on. Ito, now in a wheelchair due to a motor neuron disease leading to muscle atrophy, moves towards and backwards from the projector, creating a sharp silhouette of her upper body on the white screen. In the meantime, she is speaking in a slow pace and with effort to find the right vocabulary to express her anguish. \u201cThere are so many sad stories in our country\u2019s history,\u201d she utters while her right hand periodically rubs and caresses her own face, gestures of devastation.  <\/p>\n<figure id=\"attachment_754\" aria-describedby=\"caption-attachment-754\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized-1024x684.jpg\" alt=\"Tari Ito &quot;Before the 37 Trillion Pieces Get to Sleep&quot; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.\" width=\"1024\" height=\"684\" class=\"size-large wp-image-754\" srcset=\"https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized-1024x684.jpg 1024w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized-300x200.jpg 300w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized-768x513.jpg 768w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized-1920x1282.jpg 1920w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-4_sized.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-754\" class=\"wp-caption-text\">Tari Ito &#8220;Before the 37 Trillion Pieces Get to Sleep&#8221; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.<\/figcaption><\/figure>\n<p>Then, with the help of her two assistants, Ito is carried to the floor where pieces of paper with hand drawn outlines of limbs, hands and feet on them are scattered. Ito lies down in a position that resembles a dead body outline. Her assistants begin to trace her outline with dark graphite pencils. They do so over and over again, so the outline becomes prominent, making this \u201ccrime scene\u201d feel irrevocable, undeniably tragic, and endless. Ito changes to another position after a while. The realization that all the other drawings on the floor may have come from the same process is eerie; the new outline goes over the previous one. As Ito says in her artist statement, \u201cThese lines might be paths of \u2018memories.\u2019 I drown in the strings of \u2018memories\u2019 and lie down.&#8221;<\/p>\n<figure id=\"attachment_755\" aria-describedby=\"caption-attachment-755\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized-1024x684.jpg\" alt=\"Tari Ito &quot;Before the 37 Trillion Pieces Get to Sleep&quot; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.\" width=\"1024\" height=\"684\" class=\"size-large wp-image-755\" srcset=\"https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized-1024x684.jpg 1024w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized-300x200.jpg 300w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized-768x513.jpg 768w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized-1920x1282.jpg 1920w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-6_sized.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-755\" class=\"wp-caption-text\">Tari Ito &#8220;Before the 37 Trillion Pieces Get to Sleep&#8221; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.<\/figcaption><\/figure>\n<p>After the assistants leave, Ito moves her body around, still lying down. She then sits up and begins to outline herself. The pencil eventually goes over her white trousers, face, and skull, as she utters noises of suffering that makes one wonder if they are the same noises that haunt her. She lies down once again, the sound of the papers crumpling refract around the room, bringing tears to the audience. The performance continues. The sadness goes on.<\/p>\n<figure id=\"attachment_756\" aria-describedby=\"caption-attachment-756\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized-1024x684.jpg\" alt=\"Tari Ito &quot;Before the 37 Trillion Pieces Get to Sleep&quot; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.\" width=\"1024\" height=\"684\" class=\"size-large wp-image-756\" srcset=\"https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized-1024x684.jpg 1024w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized-300x200.jpg 300w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized-768x513.jpg 768w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized-1920x1282.jpg 1920w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-8_sized.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-756\" class=\"wp-caption-text\">Tari Ito &#8220;Before the 37 Trillion Pieces Get to Sleep&#8221; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.<\/figcaption><\/figure>\n<figure id=\"attachment_757\" aria-describedby=\"caption-attachment-757\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized-1024x684.jpg\" alt=\"Tari Ito &quot;Before the 37 Trillion Pieces Get to Sleep&quot; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.\" width=\"1024\" height=\"684\" class=\"size-large wp-image-757\" srcset=\"https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized-1024x684.jpg 1024w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized-300x200.jpg 300w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized-768x513.jpg 768w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized-1920x1282.jpg 1920w, https:\/\/livebiennale.ca\/2019\/wp-content\/uploads\/sites\/4\/2019\/10\/TariIto-13_sized.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-757\" class=\"wp-caption-text\">Tari Ito &#8220;Before the 37 Trillion Pieces Get to Sleep&#8221; at Western Front, LIVE Biennale 2019. Photo by Alisha Weng.<\/figcaption><\/figure>\n<p>It almost feels wrong to recount these moments of this performance because they are so raw and heart wrenching. It\u2019s as if one is watching years of profound sadness unfold, live. \u201cMemory of the epidermis. Memory of the soul\u201d is one of the last sentences Ito says during the performance. Tari Ito\u2019s <em>Before the 37 Trillion Pieces Get to Sleep<\/em> is methodical, stirring, and so palpable that calling it simply \u201cperformance art\u201d seems rather inadequate; Ito\u2019s message transcends this or any category.    <\/p>\n<p>Review written by Katherine Chan \/ VANDOCUMENT<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Flivebiennale%2Fvideos%2F508340189959713%2F&#038;show_text=0&#038;width=560\" width=\"560\" height=\"315\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowTransparency=\"true\" allowFullScreen=\"true\"><\/iframe><\/p>\n<p>Watch curator Makiko Hara&#8217;s post-performance Q &#038; A with Tari Ito.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?href=https%3A%2F%2Fwww.facebook.com%2Flivebiennale%2Fvideos%2F1220385034814942%2F&#038;show_text=1&#038;width=560\" width=\"560\" height=\"426\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowTransparency=\"true\" allow=\"encrypted-media\" allowFullScreen=\"true\"><\/iframe><\/p>\n<p>This project was made possible by the Circle of Support: Maryon Adelaar, Beth and Bob Carter, Stephanie Holmquist and Mark Allison; assistants from Japan, Yayoi Mashimo and Kayo Shirakawa; and curator Makiko Hara. Thank you Western Front and EDAM Dance for the use of your space.<\/p>\n<p>\/\/\/<\/p>\n<p>LIVE 2019 is September 28 &#8211; October 6, 2019. Find the full schedule is on <a href=\"http:\/\/livebiennale.ca\/2019\/schedule\/\">our website<\/a> and on <a href=\"https:\/\/www.facebook.com\/pg\/livebiennale\/events\/\">our Facebook page<\/a>.<\/p>\n<p>Find out what&#8217;s happened at LIVE 2019!<br \/>\n<a href=\"http:\/\/livebiennale.ca\/2019\/sept-28-highlights-live-2019\/\">Sept 28 highlights<\/a><br \/>\n<a href=\"http:\/\/livebiennale.ca\/2019\/sept-29-30-highlights-and-looking-ahead-to-the-rest-of-the-fest-live-2019\/\">Sept 29 &#038; 30 highlights and looking ahead to the rest of the fest<\/a><br \/>\n<a href=\"http:\/\/livebiennale.ca\/2019\/oct-1-highlights-do-not-disturb-live-2019\/\">Oct 1 highlights: Do Not Disturb<\/a><\/p>\n<p>Keep following us on <a href=\"https:\/\/www.facebook.com\/livebiennale\/\">Facebook<\/a>, <a href=\"https:\/\/www.instagram.com\/livebiennaleperformance\/\">Instagram<\/a>, and <a href=\"https:\/\/twitter.com\/livebiennale\">Twitter<\/a> &#8211; where you&#8217;ll find all the latest news about what&#8217;s happening and where to go to be part of LIVE 2019.<\/p>\n<p>Tag your posts #livebiennale so we can like and share what you post &lt;3<\/p>\n<p>Join us, follow us, engage with us. Together we are LIVE.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tari Ito&#8217;s Before the 37 Trillion Pieces Get to Sleep In 1990, the activist and performance artist who was part of an important feminist movement in Tokyo, Japan \u2014 Tari [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":756,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[2,5,7],"tags":[45,28,44,46,43,27],"class_list":["post-751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-performances","category-update","tag-edam-dance","tag-ito-tari","tag-katherine-chan","tag-makiko-hara","tag-tari-ito","tag-western-front"],"_links":{"self":[{"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/posts\/751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/comments?post=751"}],"version-history":[{"count":5,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/posts\/751\/revisions"}],"predecessor-version":[{"id":763,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/posts\/751\/revisions\/763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/media\/756"}],"wp:attachment":[{"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/media?parent=751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/categories?post=751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/livebiennale.ca\/2019\/wp-json\/wp\/v2\/tags?post=751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}